#Video shorts mgm 1938 movie

O’Neil lived there for the remainder of her life. Battles’s home town of Galesburg, Illinois. That same year she married Midwestern businessman S.S. By 1953, O’Neil had fully abandoned show business and began selling real estate in California’s Rancho Mirage area. She made her last film in 1938, then left Hollywood altogether to pursue a stage career. She left MGM in 1927 to pursue a career outside the studio system, but that decision stalled her career and by the early 1930s she was spending most of her time working at Poverty Row studios. But O’Neil’s career was somewhat short-lived.

O’Neil’s combination of flapper, devil-may-care style-she was described during her heyday with such adjectives as “piquant,” “vivacious,” and “adorable”-and wide-eyed innocence made her a good fit for the era. Her breakthrough role came opposite Keaton in Battling Butler (1926) and she even made a smooth transition to talkies, starring in On With the Show! (Warner Bros., 1929), the first all color musical (although nothing more than a fragment of the original color version is known to exist). Regardless, after a bit part in a 1925 Hal Roach short, she was soon starring in such successful MGM features as Sally, Mary, and Irene (1925), Mike (1926), and The Lovelorn (1927) which co-starred her sister Molly O’Day. O ’Neil was reportedly “discovered” by a director while dancing at a Los Angeles nightclub, but that may very well be one of those apocryphal only-in-Hollywood stories. And while few of those titles are known today, she nevertheless enjoyed a distinguished career having shared the screen with the likes of Joan Crawford and Buster Keaton, and directed by such luminaries as John Ford and D.W. Between 19, O’Neil starred in just over 40 motion pictures and, more often than not, had her name above the title.

#Video shorts mgm 1938 movie

Sally O’Neil (sometimes spelled O’Neill) is one of that coterie of movie performers who, though little remembered today, were exceptionally popular during their zenith.